Posted 2019-January-30, 13:59
Some hands allow you to plan the play with some specificity. Others leave you with so many branching contingencies, and so few inferences, that you are in what I think Kantar called a 'scramble' mode. You form a tentative plan but you are aware that your future steps are really going to be dependent on what happens early on.
Of course one also has to make tentative assumptions. This is one area in which there can sometimes be a real difference between mps and imps. For example, unless you are doubled, you probably don't care too much at imps about how many undertricks you risk by assuming that the cards allow you to make (and it turns out they don't). At mps, however, if you are pretty sure that you can't make, then you may want to adopt the line that results in the smallest minus, even if doing so gives up on making. Of course, if one is in an unlikely contract, where much of the field will be safely lower, then one may well need to risk the undertricks, since playing safe for down 1 is terrible if the field is full of people scoring an effortless 120.
With that in mind: this looks like a scramble to me. I see no reason to think that we cannot make. I see no reason to think that this contract is not at least reasonably common. I wouldn't play safe for 8 tricks, as one example. Of course, in this case I don't have that luxury anyway.
We have 4 spade tricks. The first thing I want to do, if convenient, is find out how many spades LHO has. Since I intend to play on diamonds first, will want to lead the first round from dummy, and I am not going to worry about the stiff diamond King, it is convenient to win the spade Queen.
If RHO plays the 2, then I am pretty sure LHO has 4 spades. He led 4th best from 10xxx(x)...if from 10xxx then he won't usually hold 4 hearts. He may well hold a 4 card minor, since the auction suggests a major lead. Btw, reading RHO's card depends on whether they play standard. If they play upside down, then rho will play the 2 if he has a doubleton. If they play standard, he will usually give count so won't play the 2 with 2, and can't have the stiff 2 if LHO led 4th best.
I play a diamond towards the Q10x. Btw, I would have taken a 'normal' pause at trick one, before playing the Queen. I would then have called in tempo, but (I hope) reasonably quickly for the small diamond. This is perfectly ethical.
Some weak players will give away the position of the diamond King. Most good players will duck in tempo. So I'd need to know what I think of my opps and whether I detect a flinch. That will dictate my play. If I think LHO has 5 spades, that may affect the play as well: I can cater to 4-2 diamonds and score 3 tricks only if RHO has KJxx and I play low to the 10. Of course, I still have to get back to dummy twice more, which means the heart King onside and, likely, the club Ace as well.
All of these are factors that are running through my mind as I assess how to play diamonds, and how to assess my RHO's pace of play at trick 2.
If he flinches, I probably play the Q. But I'd need to be at the table. Against a Rodwell or Rosenberg, etc, I will have no clue at all, and probably would play the Queen. Against most opps, I probably play the 10 if there was no flinch: RHO never has a reason to flinch with Jxx(x), etc nor, usually, with KJxx, but may feel some doubt about Kx(x) or KJx.
If the diamond Queen loses to LHO, I am probably down but miracles happen. LHO may have the heart Queen, and now maybe I can scramble 4 spades, 2 hearts, find diamonds 3-3 or the Jack drops when I cash the Ace and the club King takes a trick.
Going back to trick 1, my first thought is to attack the suit in which, if all goes well, I gain two tricks. So diamonds. The longer I take at trick one, the longer a good opp gets to reverse engineer my problem and the smoother the opp gets to play. In real life, in most mp fields, most opps can't defend smoothly, and even fewer defend smoothly when the opps play quickly.
'one of the great markers of the advance of human kindness is the howls you will hear from the Men of God' Johann Hari